Boss hints at an alter ego in Valentina, which depicts a ravaged woman against a hellish backdrop, her arms extended defiantly upward as menacing ravens fly around her. The image is drawn from Guido Crepax’s comic book “Valentina” (1965–96), a frequent source of inspiration for Liernur, who was named after its protagonist, a time-traveling photographer. An action hero and a sexpot, the Valentina of the comics is a conventional caricature of powerful femininity: aspirational, but reductive. Liernur paints her as a survivor emerging from apocalyptic ashes, arguably giving her more credit than Crepax ever did. Liernur’s protagonists navigate a world in which women are subjected to impossible standards and fixed roles, but nevertheless find a way to assert a sense of agency over their lives.
In summary, it's breathtaking.